The Dominion of the World (1900) represents a transition from classic Vernian anticipation to the pulp serials of the 1920s and 1930s. It is also the only science fiction work that sought to dramatize the "Transatlantic Peril", positing a fundamental difference of culture and attitude between the United States and Europe. Despite some of its outlandishness, hindsight has lent the world imagined by Gustave Guitton and Gustave Le Rouge (The Vampires of Mars) a certain prophetic quality.
La Conspiration des Milliardaires [The Billionaires' Conspiracy] (1899)
À Coups de Milliards [Throwing Billions Around] (1899)
Le Régiment des Hypnotiseurs [The Hypnotists' Brigade] (1900)
La Revanche du Vieux Monde [The Old World's Revenge] (1900)